With his wily and unforgettable original songs and his hipster, street-smart vocals, no one on the blues scene writes or sings like Rick Estrin. No one looks like him either, as Estrin is always dressed to the nines, sporting his trademark pencil-line mustache and pompadour haircut. DownBeat says, “Rick Estrin sings and writes songs like the brightest wiseguy in all of bluesland and blows harmonica as if he learned at the knee of Little Walter.” Live, the band is simply unbeatable. They deliver a high-energy show capable of bringing any audience to its feet. According to Living Blues magazine, they play “captivating, powerful blues and roots rock with a wickedly cool and otherworldly twist on tradition...intelligently conceived and executed...hugely entertaining.”
Rick Estrin & the Nightcats’ fourth Alligator album, Groovin’ In Greaseland, features 13 original songs, 11 by Estrin (including one co-written with Andersen), and one each by Andersen and Farrell. One listen makes it clear that this is one of the tightest and most original groups in any genre, constantly inspiring each other to new heights. Groovin’ In Greaseland was produced by Andersen and Estrin and recorded at Andersen’s soon-to-be legendary Greaseland Studio in San Jose, California.
Besides Estrin’s celebrated songwriting and musical skills, he and the band are among the most entertaining and colorful showmen around. Estrin’s flashing harmonica solos, quick wit and signature look and Andersen’s off-the-cuff guitar acrobatics add even more spontaneous fun to their live performances. “People don’t go out to see people who look like themselves,” says Estrin. “They want to see something special. I was schooled in this business to be a showman, and that’s what you get when you come to see us perform. We know how to put on a show.”
Years of worldwide touring and a series of critically acclaimed recordings has earned Estrin five Blues Music Awards, including two nods for Song Of The Year (1994 and 2018), Best Instrumentalist - Harmonica (2013) and Traditional Blues Male Artist Of The Year (2018). The full band, Rick Estrin & the Nightcats, won the highly coveted 2018 Band of the Year award. Additionally, Estrin has written songs for a number other musicians. Three of his songs found their way onto Grammy-nominated albums by Koko Taylor, Robert Cray and John Hammond. Estrin cites Sonny Boy Williamson II, Percy Mayfield and Detroit bluesman Baby Boy Warren as his major songwriting influences. His work on the reeds is deep in the tradition of harmonica masters Sonny Boy Williamson II and Little Walter Jacobs, while at the same time pushing that tradition forward with his innovative songs. His sly and soulful vocals are the perfect vehicle for driving those songs home. Blues Revue says, “Estrin has created some of the finest blues songs of any artist on the planet. His carefully wrought lyrics penetrate human weakness with the precision of a boxer, though more often than not, he chooses to leave you laughing after the blow’s been struck.”
For more than 30 years and nine albums, Rick fronted Little Charlie & the Nightcats, flawlessly combining his songs, vocals and harmonica with Little Charlie Baty’s one-of-a-kind guitar excursions. With Charlie’s retirement from touring in 2008, Rick took over leadership of the band. He knew the only way to replace Baty’s mind-melting mashup of blues, jazz and roots rock was to find someone with an equally insane and daredevil guitar approach. As luck would have it, Kid Andersen, who had been working with another harp legend, Charlie Musselwhite, became available. “Kid’s a fearless nut on the guitar,” says Estrin. “He’s really the only guy who could fit in with us.” The new band charged out of the gate with Twisted in 2009, One Wrong Turn in 2012 and You Asked For It...Live! in 2014.
Rick Estrin & the Nightcats have not only picked up where Little Charlie & The Nightcats left off, they’ve taken everything to the next level. Now, with Groovin’ in Greaseland they prove yet again why DownBeat calls them “marvelous and crowd-pleasing.” Rick Estrin & the Nightcats continue to set the bar high, proving it night after night on stage somewhere around the country or around the world. Billboard called them “fabulous, remarkable and original.” According to Blues Revue, “It just doesn’t get any better.”
If you aren’t sure about Rick Estrin or where this one of a kind entertainer and blues musician of the highest order came from or where he gets his muse and inspiration, he’ll tell you. This long time Alligator Records recording artist has been at the top of the game for decades now, but his tale isn’t an overnight success story and his achievements in the blues music field aren’t accidental by any means. Here Estrin doesn’t pull any punches as he discusses where he came from and how he became who he is today. This tale reads like a Frank Capra movie...if the screenplay was written by Quentin Tarantino. Enjoy Rick Estrin: The BLUES JUNCTION Interview by David Mac.
KID ANDERSEN (guitar, background vocals)
Chris “Kid” Andersen was born in Telemark, Norway. A blues fan since childhood, Andersen fell in love with the music of Otis Rush, Buddy Guy, Junior Watson, and the Kings (B.B., Albert and Freddie). By the time he was 18, he was backing all the American blues stars who came through Norway, including Homesick James, Nappy Brown and Willie “Big Eyes” Smith. In 2001, with guidance and encouragement from multiple BMA winning saxophonist, Terry Hanck, Kid moved to California at the age of 21. Once in the U.S.A., Andersen earned a green card as an “Alien of Extraordinary Ability.” He toured and recorded with Terry for three years, and also released four well received solo albums under his own name during this time. In 2004 he joined blues harmonica legend Charlie Musselwhite’s band, a gig that lasted until he joined Rick Estrin & the Nightcats in 2008. Andersen’s Greaseland Studio, winner of the 2017 Keeping The Blues Alive Award, has been the highly regarded scene of recordings by artists including Elvin Bishop, John Nemeth, Wee Willie Walker, Finis Tasby, and Billy Price as well as all three Rick Estrin & the Nightcats studio CDs.
LORENZO FARRELL (piano, organ, and synthesizer)
Lorenzo Farrell was born in Lexington, Kentucky, and grew up in Bloomington, Indiana, where he started playing piano at age five. During his high school years in California, he discovered jazz and made the switch to upright acoustic bass. After high school, Farrell took several years off from his music career to earn a degree in Philosophy from the University of California at Berkeley, and study religion in Delhi, India. Since returning to the San Francisco Bay Area, he has been a highly sought-after multi-instrumentalist, having returned to piano and mastered organ in recent years. A Nightcat since 2003, Lorenzo has also had the opportunity to perform and/or record with many other artists, including Wee Willie Walker, Elvin Bishop, Finis Tasby, Jackie Payne, Andy Santana, Terry Hanck and Little Charlie Baty’s Organ Grinder Swing.
ALEX PETTERSEN (drums)
Robert Alexander Pettersen was born in Oslo, Norway. He first started drumming at age 11 and by 16 he had already earned a reputation as a gifted and dexterous blues drummer. He befriended teen prodigy guitarist Kid Andersen, three years his senior, and within a few years was drummer for the house band at Oslo’s famed Muddy Waters Club. The band, which often featured Andersen as well, backed up American artists performing throughout Norway. Pettersen has toured with countless notable musicians, including Junior Watson, Rick Holmstrom, Nappy Brown, Mitch Kashmar, Kid Ramos, James Harman, Terry Hanck and Louisiana Red, with whom he played at the 2009 Blues Music Awards. Pettersen has two Norwegian Grammy wins with the Billy T Band, and has played with every major roots and blues artist in that country. When the call came in 2016 to join The Nightcats, Pettersen jumped at the opportunity and moved to California.
"Estrin is an amazing harmonica player, a soulful lead vocalist and a brilliant original songwriter. Estrin’s harmonica sings alongside blues tunes that entertain audiences like no other in the genre.”
- San Francisco Chronicle
"Rick Estrin sings and writes songs like the brightest wiseguy in all bluesland and blows harmonica as if he learned at the knee of Little Walter."
"Infectious, captivating, powerful blues….Intense Chicago-style harp playing, witty songs and tough-as-nails grooves”
- Living Blues
"Fabulous, remarkable original material”