"Hugely entertaining, intelligently conceived and executed roots rock with a wickedly cool and otherworldly twist on tradition. Estrin’s harp work is masterful." –Living Blues
Annual Little Charlie Baty Celebration Concert
Rick Estrin and the Nightcats 2023 BMA Nominations
America’s Greatest Musical Showmen: Rick Estrin & The Nightcats
Rick Estrin & the Nightcats are in Forbes!
by Margie Goldsmith
Forbes - Nov 2019
Singer/songwriter/harmonica player Rick Estrin, who has been called a combination of jive-talking carnival side-show hustler and world class musician is the most colorful and entertaining showman around. Dressed in forties hipster-style sharkskin suits, white shoes, and hair in a pompadour, he and his band Rick Estrin & The Nightcats have just released their latest album, Contemporary. This studio album (their fourth) delivers twelve foot-stomping wise-cracking contemporary songs, a combination of rockabilly, jazz, blues, rock, and big band swing.
Rick Estrin and the Nightcats tour non-stop and receive standing ovations wherever they play. This Sunday, Nov. 24th they will be playing at NYC’s Iridium For the touring schedule, check here. I caught up with Rick Estrin in California the day before he and the band flew to the East Coast for the tour.
Was harmonica your first instrument, and why did you chose it?
My first instrument was guitar, but my father died when I was 15, coinciding with a guy giving me a harmonica and telling me how to play it. I was heartbroken and angry and the harmonica gave me a way to express that. The sound of the harmonica is so close to a human voice that I just felt like I could express myself with it.
When did you start songwriting?
As a teenager. I went on the road for the first time when I was 18 with Rodger Collins, an R&B singer who had a hit record, She's Looking Good. He wrote that song and Wilson Pickett covered it. Collins encouraged me to write.
I always believed I could write songs. I love the way songs are put together and the effect they make. I took a long break from trying to write songs when I was trying to learn classic Chicago blues. Then I got with Little Charlie and when we were signed to Alligator Records in 1986 we used all my songs on the first record so I had to really knuckle down and get to work.